The rise of ‘duodrama’ in Kuwait marks a revolutionary moment in theater
This year, two-person theater in the country has achieved a significant milestone, emerging as a central focus and culminating in the launch of an impressive dedicated festival.
• The duodrama festival featured opening and closing ceremonies and performances from Arab countries, including Kuwait, Oman, Saudi Arabia, and Morocco, with each nation showcasing its finest work through harmonious, innovative, and distinctive theatrical presentations.
By Fajr Sabah
Special to The Times Kuwait
The concept of two-person theater, or “duodrama,” has been a staple of my academic journey, with my initial encounters taking place a few years ago in Gulf countries like Oman. However, this year marked a significant and extraordinary milestone.
In Kuwait, the duodrama has emerged as a central focus, garnering widespread attention and culminating in the launch of an impressive, dedicated festival. This remarkable achievement owes much to the vision and efforts of Loyac and LAPA, supported by sponsors with a deep appreciation for the arts.
This marks a significant and commendable milestone in embracing this unique form of theater and supporting passionate artists who dedicate their efforts to creating complete and harmonious performances with just two characters. These productions are designed to captivate audiences, deliver compelling ideas, and effectively convey meaningful messages.
The festival featured opening and closing ceremonies, along with performances from various Arab countries, including Kuwait, Oman, Saudi Arabia, and Morocco. Each nation showcased its finest work in fully realized theatrical presentations, blending harmony, innovation, and distinctive ideas.
The effort poured into this festival, from conception to conclusion, was truly extraordinary. From the organizers, participants, and committees to the guests, competitors, and artists in their various roles, it was a collaborative spirit that ensured the festival’s success. Upon entering Al-Shamiya Theater, attendees were greeted by the warm smiles of the organizers, who efficiently managed seating arrangements. This was further complemented by a well-organized website offering free reservations, streamlining the entire process. All these elements contributed to the resounding success of the festival’s first edition.
What stood out to me most, however, were the heartfelt words, emotions, and messages for Gaza and Lebanon shared during the opening and closing ceremonies. Through images and scenes, the festival paid tribute to these causes, reminding us that those who carry profound principles in their minds, words, and hearts inevitably embody a great message and unwavering values—qualities that made this success both meaningful and well-deserved.
